All careers › Camera Operators, Television, Video, and Film
Camera operator: pay, job outlook and how to become one
- $38,520lowest 10% earn less
- $50,92025th percentile
- $74,990median
- $106,66075th percentile
- $135,180top 10% earn more
The median camera operator earned $74,990 a year in May 2025, above the $50,980 median for all occupations[1][2]. A bachelor's degree is the typical way in[3].
How much do camera operators make?
The official BLS category is Camera Operators, Television, Video, and Film. In May 2025, the median wage was $74,990 a year, or $36.05 an hour[1]. Half of workers earned more and half earned less[1]. The average (mean) was $83,210 a year, or $40.01 an hour[7]. The median for all occupations was $50,980, so this median sits above it[1][2].
Pay spread widely[4]:
| Point in the range | Annual wage | Source |
|---|---|---|
| Lowest-paid 10% earned less than[4] | $38,520 | |
| Lowest-paid 25% earned less than[4] | $50,920 | |
| Median[1] | $74,990 | |
| Highest-paid 25% earned more than[4] | $106,660 | |
| Highest-paid 10% earned more than[4] | $135,180 |
Per hour, the 10th percentile was $18.52 and the 90th percentile was $64.99[8]. A percentile is a boundary, and BLS publishes percentile wages, not a starting salary[9].
These figures cover wage and salary workers only. They leave out self-employed people and do not count bonuses outside regular production pay or the cost of benefits[10]. That matters here, because 34.7% of camera operators were self-employed in 2025[11]. About 21,550 people held wage and salary jobs in May 2025[12].
Pay by state and city
California had the top state median at $106,900, followed by Illinois at $100,170 and the District of Columbia at $98,300[13]. New York came fourth at $93,410[13]. Maine had the lowest published state median at $37,590[13].
Among metro areas with at least 100 jobs, Los Angeles-Long Beach-Anaheim, CA came first at $107,620, then Chicago-Naperville-Elgin, IL-IN at $102,370 and San Francisco-Oakland-Fremont, CA at $98,500[14].
The most jobs were in California (4,700), New York (2,930) and Texas (1,100)[15]. The metro areas with the most jobs were Los Angeles-Long Beach-Anaheim (3,540), New York-Newark-Jersey City (3,000) and Chicago-Naperville-Elgin (740)[16].
Show median pay in 45 states and DC
| State | Median per year | Jobs |
|---|---|---|
| California[13] | $106,900 | 4,700 |
| Illinois | $100,170 | 1,060 |
| District of Columbia | $98,300 | 240 |
| New York | $93,410 | 2,930 |
| Georgia | $85,050 | 570 |
| Alaska | $83,620 | 50 |
| Colorado | $74,990 | 300 |
| Utah | $73,450 | 240 |
| Arizona | $68,250 | 520 |
| Maryland | $65,870 | 290 |
| Connecticut | $65,630 | 170 |
| Ohio | $64,860 | 520 |
| Texas | $63,110 | 1,100 |
| North Carolina | $62,720 | 380 |
| Florida | $62,220 | 970 |
| Nevada | $62,110 | 320 |
| Alabama | $61,800 | 220 |
| Massachusetts | $61,320 | 370 |
| Kansas | $60,690 | 110 |
| Washington | $60,250 | 440 |
| Louisiana | $58,440 | 270 |
| Virginia | $58,440 | 420 |
| Idaho | $58,140 | 120 |
| South Carolina | $57,940 | 40 |
| Iowa | $57,220 | 90 |
| Tennessee | $57,030 | 460 |
| Indiana | $56,810 | 200 |
| Michigan | $55,290 | 380 |
| Kentucky | $53,790 | 170 |
| North Dakota | $53,650 | 40 |
| Wisconsin | $52,810 | 300 |
| Pennsylvania | $51,760 | 670 |
| Minnesota | $51,420 | 300 |
| Montana | $50,910 | 110 |
| Mississippi | $49,920 | 60 |
| Rhode Island | $49,790 | 50 |
| New Mexico | $49,050 | 290 |
| Arkansas | $48,680 | 60 |
| Oklahoma | $48,620 | 220 |
| Vermont | $46,350 | 130 |
| Nebraska | $46,180 | 100 |
| New Hampshire | $45,880 | n/a |
| Hawaii | $44,230 | 90 |
| South Dakota | $44,160 | 50 |
| West Virginia | $43,390 | 60 |
| Maine | $37,590 | 70 |
How to become a camera operator
The typical path calls for a bachelor's degree, no related work experience and no on-the-job training[3]. The details below come from a BLS profile covering a wider group that includes film and video editors[17].
- First: earn a bachelor's degree. It is often in film, broadcasting or a related arts or communications field[18].
- Next: build practical skills. Many colleges offer cinematography courses, and coursework mixes film theory with hands-on training[18].
- Then: get comfortable with digital cameras, which are now used on film sets[19].
- Later: experienced workers who show creativity and leadership can move up to running their own projects[20].
In an O*NET survey of 20 workers, 61% said an associate's degree or other 2-year degree is required, 18% said a high school diploma or equivalent, 15% said some college courses and 7% said a bachelor's degree[21]. That is a small survey, so read it as a sketch and not as a rule.
Useful qualities include communication, creativity, hand-eye coordination to keep a camera steady while moving, and the stamina to carry heavy equipment[22][23][24][25].
What camera operators do
O*NET describes the job as running a camera to record images or scenes for television, video or film productions[26]. Common tasks include[27]:
- Composing and framing each shot using light, lenses, filters and camera settings.
- Recording scenes for broadcasts, advertising or motion pictures.
- Adjusting camera controls to change focus, exposure and lighting.
- Talking with directors and crew about shot order, effects and lighting.
- Setting up and running live shots for broadcast.
- Using cameras on stationary, track or crane mounts.
- Scouting sets and locations for problems.
- Testing, cleaning and repairing broadcast equipment.
Workers report job titles such as videographer, studio camera operator and news videographer[28].
Where they work
In the wider BLS group, work usually happens in studios or offices, and camera operators and videographers often shoot raw footage on location[29]. Those who film movies or television may be away from home for months and usually carry heavy gear to shooting sites[30]. Some face rough or dangerous conditions such as severe weather, and may stand for long periods waiting for an event[31].
Most in the wider group work full time, though part-time work is common. Broadcast workers may put in extra hours to meet deadlines. Motion picture workers may have busy periods during filming, then a stretch of looking for work before the next job[32]. Self-employed workers were the largest group of employers at 35%[33].
Job outlook
BLS projects employment of Camera Operators, Television, Video, and Film to grow 1.3% from 2025 to 2035, from about 32,600 to 33,000 jobs[5]. Growth for all occupations is projected at 3.5%[34]. These projection counts include self-employed workers, so they differ from the OEWS count[5].
BLS expects about 2,500 openings a year on average[6]. Openings include jobs that come up when people retire or move to other occupations, not only new jobs[6]. Each year, 2.3% of workers leave the labor force and 5.1% move to a different occupation[35]. BLS also notes that robotic cameras are replacing some services that camera operators once provided[36].
Is it a good fit?
The facts show a job with a median well above the all-occupations median, and a wide range between the lowest and highest paid[1][2][4]. A bachelor's degree is the typical entry credential[3]. Growth is slower than average, and robotic cameras are cutting into the work[5][34][36]. About a third of workers (34.7%) were self-employed in 2025[11].
Frequently asked questions
- How much does a camera operator make an hour?
- The median was $36.05 an hour in May 2025[1]. The 10th percentile was $18.52 and the 90th percentile was $64.99[8].
- What degree do you need to be a camera operator?
- A bachelor's degree is the typical entry education, with no related experience needed[3].
- Is camera operator a growing job?
- BLS projects 1.3% growth from 2025 to 2035, against 3.5% for all occupations[5][34]. About 2,500 openings a year are expected[6].
- What is the highest paying state for camera operators?
- California, with a median of $106,900[13].
Facts and sources
- BLS OEWS, May 2025: the median wage for Camera Operators, Television, Video, and Film in the US was $74,990 per year and $36.05 per hour. Half of workers earned more and half earned less. BLS OEWS, May 2025
- BLS OEWS, May 2025: the median annual wage for all occupations in the US was $50,980. BLS OEWS, May 2025
- BLS Employment Projections, typical path into Camera Operators, Television, Video, and Film: education needed for entry: Bachelor's degree; work experience in a related occupation: None; typical on-the-job training: None. BLS Employment Projections
- BLS OEWS, May 2025, annual wage percentiles for Camera Operators, Television, Video, and Film: 10th percentile $38,520, 25th percentile $50,920, 75th percentile $106,660, 90th percentile $135,180. The 10th percentile means 10% of workers earned less. BLS OEWS, May 2025
- BLS Employment Projections: employment of Camera Operators, Television, Video, and Film is projected to grow 1.3% from 2025 to 2035, from about 32,600 to 33,000 jobs (a change of +400). These counts include self-employed workers. BLS Employment Projections
- BLS Employment Projections: about 2,500 openings for Camera Operators, Television, Video, and Film are projected each year, on average, from 2025 to 2035. Openings include jobs that open when workers retire or move to other occupations, not only new jobs. BLS Employment Projections
- BLS OEWS, May 2025: the mean (average) wage for Camera Operators, Television, Video, and Film was $83,210 per year and $40.01 per hour. BLS OEWS, May 2025
- BLS OEWS, May 2025, hourly wage percentiles for Camera Operators, Television, Video, and Film: 10th percentile $18.52, 25th percentile $24.48, 75th percentile $51.28, 90th percentile $64.99. BLS OEWS, May 2025
- BLS OEWS FAQ: a percentile wage is a boundary. The median (50th percentile) separates the highest-paid 50% from the lowest-paid 50% of workers in the occupation. OEWS publishes percentile wages, not a starting salary. BLS OEWS, May 2025
- BLS OEWS FAQ: OEWS covers part-time and full-time workers paid a wage or salary. It does not cover the self-employed, owners and partners in unincorporated firms, household workers or unpaid family workers. OEWS wages do not include nonproduction bonuses or employer costs of benefits such as health insurance or retirement contributions. BLS OEWS, May 2025
- BLS Employment Projections: 34.7% of Camera Operators, Television, Video, and Film were self-employed in 2025. BLS Employment Projections
- BLS OEWS, May 2025: about 21,550 people were employed as Camera Operators, Television, Video, and Film in the US (wage and salary jobs, not counting self-employed workers). BLS OEWS, May 2025
- Median annual wage for Camera Operators, Television, Video, and Film in every state with published data, May 2025 (table on this page). BLS OEWS, May 2025
- BLS OEWS, May 2025, metro areas with the highest median annual wage for Camera Operators, Television, Video, and Film (areas with at least 100 jobs): Los Angeles-Long Beach-Anaheim, CA $107,620; Chicago-Naperville-Elgin, IL-IN $102,370; San Francisco-Oakland-Fremont, CA $98,500; New York-Newark-Jersey City, NY-NJ $93,410; Washington-Arlington-Alexandria, DC-VA-MD-WV $83,320; Minneapolis-St. Paul-Bloomington, MN-WI $80,380; Atlanta-Sandy Springs-Roswell, GA $76,250; Denver-Aurora-Centennial, CO $74,990. BLS OEWS, May 2025
- BLS OEWS, May 2025, states with the most Camera Operators, Television, Video, and Film jobs: California 4,700; New York 2,930; Texas 1,100; Illinois 1,060; Florida 970. BLS OEWS, May 2025
- BLS OEWS, May 2025, metro areas with the most Camera Operators, Television, Video, and Film jobs: Los Angeles-Long Beach-Anaheim, CA 3,540 (median $107,620); New York-Newark-Jersey City, NY-NJ 3,000 (median $93,410); Chicago-Naperville-Elgin, IL-IN 740 (median $102,370); Washington-Arlington-Alexandria, DC-VA-MD-WV 500 (median $83,320); Atlanta-Sandy Springs-Roswell, GA 360 (median $76,250); Phoenix-Mesa-Chandler, AZ 350 (median $71,080). BLS OEWS, May 2025
- The BLS Occupational Outlook Handbook profile "Film and Video Editors and Camera Operators" covers Camera Operators, Television, Video, and Film together with other related occupations, so its text describes the wider group. BLS Occupational Outlook Handbook
- Occupational Outlook Handbook, How to Become One: Education. BLS Occupational Outlook Handbook
- Occupational Outlook Handbook, How to Become One: Education. BLS Occupational Outlook Handbook
- Occupational Outlook Handbook, How to Become One: Advancement. BLS Occupational Outlook Handbook
- O*NET 27-4031.00 survey of workers (20 respondents), education level they say is required: Associate's Degree or other 2-year degree 61%, High School Diploma or the equivalent (such as a GED) 18%, Some College Courses 15%, Bachelor's Degree 7% (levels under 5% not listed). O*NET OnLine
- Occupational Outlook Handbook, How to Become One: Important Qualities. BLS Occupational Outlook Handbook
- Occupational Outlook Handbook, How to Become One: Important Qualities. BLS Occupational Outlook Handbook
- Occupational Outlook Handbook, How to Become One: Important Qualities. BLS Occupational Outlook Handbook
- Occupational Outlook Handbook, How to Become One: Important Qualities. BLS Occupational Outlook Handbook
- O*NET description of Camera Operators, Television, Video, and Film. O*NET OnLine
- O*NET task list for Camera Operators, Television, Video, and Film. O*NET OnLine
- O*NET 27-4031.00 sample job titles reported by workers: Camera Operator, Cameraman, Master Control Operator (MCO), News Videographer, Production Technician, Studio Camera Operator, Television News Photographer, Videographer. O*NET OnLine
- Occupational Outlook Handbook, Work Environment. BLS Occupational Outlook Handbook
- Occupational Outlook Handbook, Work Environment. BLS Occupational Outlook Handbook
- Occupational Outlook Handbook, Work Environment. BLS Occupational Outlook Handbook
- Occupational Outlook Handbook, Work Environment: Work Schedules. BLS Occupational Outlook Handbook
- BLS Occupational Outlook Handbook, largest employers of film and video editors and camera operators in 2025: Self-employed workers 35%. BLS Occupational Outlook Handbook
- BLS Employment Projections: employment in all occupations is projected to grow 3.5% from 2025 to 2035. BLS Employment Projections
- BLS Employment Projections, 2025-35 annual average for Camera Operators, Television, Video, and Film: 2.3% of workers leave the labor force each year and 5.1% move to a different occupation. BLS Employment Projections
- BLS Employment Projections, factor affecting employment of Camera Operators, Television, Video, and Film: Capital/labor substitution - share decreases as robotic cameras replace services previously provided by camera operators. BLS Employment Projections
- Related occupations (O*NET) with BLS pay, growth and entry education. O*NET OnLine
This page includes information from the O*NET 31.0 Database by the U.S. Department of Labor, Employment and Training Administration (USDOL/ETA). Used under the CC BY 4.0 license. O*NET® is a trademark of USDOL/ETA. CareerFacts has modified all or some of this information. USDOL/ETA has not approved, endorsed, or tested these modifications.